A large desktop calendar, housed in a CD case which will sit on your desk. Showing 12 images of the Cotswolds landscape and villages. Size: 140mm x 125mm.

Leni crossed her arms, said nothing, and watched the fight unfold. She was like a bored onlooker at a boxing trial, wasting no energy on the undercard, saving her passion for the moment when the real champions would step into the ring. And yet, at some point, she began to cry. Just tears, without any sound. Water falling from her eyes as water was falling from the sky. Rain disappearing into rain._The Wind That Lays Waste _begins in the great pause before a storm. Reverend Pearson is an evangelist preaching the word of God across northern Argentina with Leni, his teenage daughter, in tow. When their car breaks down, fate leads them to the workshop of an ageing mechanic, Gringo Brauer, and his assistant, a boy called Tapioca. Over the course of a long day, curiosity and a sense of new opportunities develop into an unexpected intimacy. Yet this encounter between a man convinced of his righteousness and one mired in cynicism and apathy will become a battle for the very souls of the young pair: the quietly earnest and idealistic mechanic's assistant, and the restless, sceptical preacher's daughter. As tensions among the four ebb and flow, beliefs are questioned and allegiances tested, until finally the growing storm breaks over the plains.Selva Almada's exquisitely crafted debut, with its limpid and confident prose, is profound and poetic, a near-tangible experience of the landscape amid the hot winds, wrecked cars, sweat-stained shirts and damaged lives, told with the cinematic precision of a static road movie, like a _Paris, Texas _of the south. With echoes of Carson McCullers, The Wind That Lays Waste is a contemplative and powerfully distinctive novel that marks the arrival in English of an author whose talent and poise are undeniable.

Seasons 3 and 4 of the perennially popular British sitcom set in a holiday camp in the late 50s/early 60s. In 'Nice People with Nice Manners', Yvonne and Barry hold a party in their chalet for the staff they consider to be 'socially acceptable'. But when Peggy mixes up the invitations, they get a few unexpected guests. In 'Carnival Time', Joe enlists Ted's help in organising a float for the town carnival. 'A Matter of Conscience' sees the staff at Maplin's attempting to thwart the local council's plans to build a new hospital right next to the camp by making as much noise as they can. In 'The Pay-Off', the council is still determined to go ahead with its plans to build the hospital, so Joe resorts to bribing the local councillors. In 'Trouble and Strife', Ted's ex-wife is demanding that he pay up his maintenance arrears. Ted has to act quickly - and cunningly - to raise the cash in time. 'Stripes' sees Joe promoting Gladys to Head Yellowcoat after a secret visit to the camp. In 'Co-Respondent's Course', Jeffrey's wife sends her new boyfriend to ask Jeffrey for a divorce. When Jeffrey is reluctant to give grounds, her boyfriend decides to try to unearth some evidence himself. 'It's a Blue World' sees Ted arranging a special late-night showing of an adult film for the male campers. In 'Eruptions', Ted retaliates after having his act rudely interrupted by a volcano in the ballroom. In 'The Society Entertainer', Spike is a changed man after falling head over heels for one of the female campers - much to the detriment of his act. Meanwhile, Jeffrey has decided that Radio Maplin would benefit from having a new voice on the airwaves. In 'Sing You Sinners', Jeffrey finds himself standing in for the local chaplain to conduct the Sunday Half Hour - with unnerving results. 'Maplin Intercontinental' sees the troupe competing for a very special prize in this year's Best Yellowcoat Competition: a transer to the new Maplin's Holiday Camp in the Bahamas. In 'All Change', Joe appoints a new supervisor for the Yellowcoats, but is less than delighted when he discovers that she insists on having a chalet all to herself at the peak of the season when the camp is filled to capacity.

Photographic wall calendar showing 12 views of the Island of Alderney - seascape and landscapes. Calendar opens up to show a picture at the top and large date boxes for writing in. Closed size: 298 x 210mm Open size: 298 x 420mm

A5, slimline photographic wall calendar showing 12 views of the villages and landscapes of the Cotswolds. Calendar opens up to show a picture at the top and date boxes for writing in at the bottom.

'A beautiful little novel about books, history, ambition and the importance of literature.' Nick Hornby 'Truly potent ... Adimi confronts us with episodes that are simply never spoken of in France' The New York Times Book Review In 1936, a young dreamer named Edmond Charlot opened a modest bookshop in Algiers. Once the heart of Algerian cultural life, where Camus launched his first book and the Free French printed propaganda during the war, Charlot's beloved bookshop has been closed for decades, living on as a government lending library. Now it is to be shuttered forever. But as a young man named Ryad empties it of its books, he begins to understand that a bookshop can be much more than just a shop that sells books. A Bookshop in Algiers charts the changing fortunes of Charlot's bookshop through the political drama of Algeria's turbulent twentieth century of war, revolution and independence. It is a moving celebration of books, bookshops and of those who dare to dream.

Photographic wall calendar showing 12 views of the university city of Oxford. Calendar opens up to show a picture at the top and large date boxes for writing in. Closed size: 297 x 210mm Open size: 297 x 420mm. Includes mailing envelope

Spiral bound, 16 month diary with a week to a page. Interspersed with 31 colour photographs of the Cotswolds - villages and landscapes. Includes 2021 year planner. Lies flat when open

A large desktop calendar, housed in a CD case which will sit on your desk. Showing 12 images of Oxford. Size: 140mm x 125mm

Photographic wall calendar showing 12 views of the villages and landscapes of the Cotswolds. Calendar opens up to show a picture at the top and date boxes for writing in at the bottom. bottom. Wiro-o-bound - hangs on wall Closed size: 205 x 205mm Open size: 205 x 410mm. Includes mailing envelope

A mini desktop calendar, housed in a CD case which will sit on your desk. Showing 12 images of the Cotswolds - villages and landscapes Size: 98mm x 98mm

A mini desktop calendar, housed in a CD case which will sit on your desk. Showing 12 images of Oxford's Colleges and University buildings. Size: 98mm x 98mm

Photographic wall calendar showing 12 views of the Cotswolds area - villages and landscapes. Calendar opens up to show a picture at the top and large date boxes for writing in. Calendar opens up to show a picture at the top and large date boxes for writing in. Closed size: 297 x 210mm Open size: 297 x 420mm. Includes mailing envelope

Shortlisted for the 2022 Queen Sofia Spanish Institute Translation Prize Shortlisted for the Premio Valle-Inclan prize for its translation A recently divorced man trying to enjoy himself in one of the trendier districts of Buenos Aires finds himself at the centre a series of strange coincidences. These blips in causality are at first easily rationalised, but soon escalate from the merely implausible to the impossible to the cataclysmic. More, each accident of fate, piling one atop the other, drags a new, rambling tale in its wake, until the very ground beneath the man's feet seems likely to buckle beneath the weight of so many shaggy dogs. And yet, with master storyteller Cesar Aira holding their leashes, what better vacation from reality could any reader-or divorce-desire?

This book brings together a variety of perspectives to explore the role of literature in the aftermath of political conflict, studying the ways in which writers approach violent conflict and the equally important subject of peace. Essays put insights from Peace and Conflict Studies into dialog with the unique ways in which literature attempts to understand the past, and to reimagine both the present and the future, exploring concepts like truth and reconciliation, post-traumatic memory, historical reckoning, therapeutic storytelling, transitional justice, archival memory, and questions about victimhood and reparation. Drawing on a range of literary texts and addressing a variety of post-conflict societies, this volume charts and explores the ways in which literature attempts to depict and make sense of this new philosophical terrain. As such, it aims to offer a self-conscious examination of literature, and the discipline of literary studies, considering the ability of both to interrogate and explore the legacies of political and civil conflict around the world. The book focuses on the experience of post-Apartheid South Africa, post-Troubles Northern Ireland, and post-dictatorship Latin America. The recent history of these regions, and in particular their acute experience of ethno-religious and civil conflict, make them highly productive contexts in which to begin examining the role of literature in the aftermath of social trauma. Rather than a definitive account of the subject, the collection defines a new field for literary studies, and opens it up to scholars working in other regional and national contexts. To this end, the book includes essays on post-1989 Germany, post-9/11 United States, the Israeli-Palestinian conflict, Sierra Leone, and narratives of asylum seeker/refugee communities. This volume's comparative frame draws on well-established precedents for thinking about the cultural politics of these regions, making it a valuable resource for scholars of

A certain writer ("past sixty, enjoying 'a certain renown'") strolls through the old book market in a Buenos Aires park: "My Sunday walk through the market, repeated over so many years, was part of my general fantasizing about books." Unfortunately, he is suffering from writer's block. However, that proves to be the least of our hero's problems. In the market, he fails to avoid the insufferable boor Ovando-"a complete loser" but a "man supremely full of himself: Conceit was never less justified." And yet, is Ovando a master magician? Can he turn sugar cubes into pure gold? And can our protagonist decline the offer Ovando proposes granting him absolute power if the writer never in his life reads another book? And is his publisher also a great magician? And the writer's wife? Only Cesar Aira could have cooked up this witch's potion (and only he would plop in phantom Mont Blanc pens as well as fearsome crocodiles from the banks of the Nile)-a brew bubbling over with the question: where does literature end and magic begin?

`Suddenly it hits you: you're not twenty; you're not young any more . . . and in the meantime, while you were thinking about something else, the world has changed.'Birthday begins with a fiftieth birthday. It comes and goes without fanfare, but just a few months later, an apparently banal comment that reveals a gap in the author's knowledge of the world prompts him to sit down in a cafe and write. As he sifts through anecdotes and weaves memories together, Aira reflects on the origin of his beliefs and his incapacity to live, on literature understood from the author's and the reader's point of view, on death and the Last Judgement.

This book brings together a variety of perspectives to explore the role of literature in the aftermath of political conflict, studying the ways in which writers approach violent conflict and the equally important subject of peace. Essays put insights from Peace and Conflict Studies into dialog with the unique ways in which literature attempts to understand the past, and to reimagine both the present and the future, exploring concepts like truth and reconciliation, post-traumatic memory, historical reckoning, therapeutic storytelling, transitional justice, archival memory, and questions about victimhood and reparation. Drawing on a range of literary texts and addressing a variety of post-conflict societies, this volume charts and explores the ways in which literature attempts to depict and make sense of this new philosophical terrain. As such, it aims to offer a self-conscious examination of literature, and the discipline of literary studies, considering the ability of both to interrogate and explore the legacies of political and civil conflict around the world. The book focuses on the experience of post-Apartheid South Africa, post-Troubles Northern Ireland, and post-dictatorship Latin America. The recent history of these regions, and in particular their acute experience of ethno-religious and civil conflict, make them highly productive contexts in which to begin examining the role of literature in the aftermath of social trauma. Rather than a definitive account of the subject, the collection defines a new field for literary studies, and opens it up to scholars working in other regional and national contexts. To this end, the book includes essays on post-1989 Germany, post-9/11 United States, the Israeli-Palestinian conflict, Sierra Leone, and narratives of asylum seeker/refugee communities. This volume's comparative frame draws on well-established precedents for thinking about the cultural politics of these regions, making it a valuable resource for scholars of Comparative Literature, Peace and Conflicts Studies, Human Rights, Transitional Justice, and the Politics of Literature.

Photographic wall calendar showing 12 views of the villages and landscapes of the Cotswolds. Calendar opens up to show a picture and dates. Wiro-o-bound - will either hang on the wall or stand on desk Open & Closed size: 152 x 152mm

A large desktop calendar, housed in a CD case which will sit on your desk. Showing 12 images of Oxford. Size: 140mm x 125mm

Chris Andrews Publications started out by producing a series of postcards in Oxford and then extended to calendars and books. Then we expanded the area covered to the Cotswolds, Stratford upon Avon, Bath and the Thames & Chilterns. Chris has been photographing for many years - but his real ability is not just as a photographer - it is having the vision to create interesting images that have a 'use'. An attractive picture, relevant, meaningful and immediately useable in a publication. The skills to record landscapes, seascapes, wildlife and cookery have common denominators as well as huge challenges. Keeping in mind the desire to produce natural pictures means Chris is busy behind the camera in all seasons and photographs with a minimum of interference.

A mini desktop calendar, housed in a CD case which will sit on your desk. Showing 12 images of Oxford's Colleges and University buildings. Size: 98mm x 98mm

A tour de force, Amulet is a highly charged first-person, semi-hallucinatory novel that embodies in one woman's voice the melancholy and violent recent history of Latin America. It is September 1968 and the Mexican student movement is about to run head-on into the repressive right-wing government of Mexico: hundreds of young people will soon die. When the army invades the university, one woman hides in a fourth-floor ladies' room and for twelve days she is the only person left on campus. Staring at the floor, she recounts her bohemian life among the young poets of Mexico City-- inventing and reinventing freely-- and along the way she creates a cosmology of literature. She is Auxilio Lacouture, the Mother of Mexican Poetry. Auxilio speaks of her passionate attachment to young poets as well as to two beloved aged poets, to a woman who once slept with Che Guevera, and to the painter Remedios Varo, recalling visits which never occured. And as they grow ever more hallucinatory, her memories become mythologies before completely transforming into riveting dark prophecies. Hair-raising and enthralling, Amuletis a heart-breaking novel and another brilliant example of the art of Roberto Bolan o, the most admired novelist, as Susan Sontag noted, in the Spanish-speaking world.